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Hollywood, Ryan Murphy and Ian Brennan’s soapy, gleefully ahistorical Netflix miniseries about postwar Hollywood, is not so much a work of historical fiction as it is an exercise in wish.
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However, academic literature on Netflix and Hulu is limited. This thesis provides a foundation for understanding the publicly constructed business models for two of the most prominent subscription video-on-demand (SVOD) services, their origins, business strategies, and imagined audiences.